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. ' Released: February 3, 1995. ' Released: May 29, 1995. ' Released: September 18, 1995. ' Released: January 22, 1996 The Infamous (stylized as The Infamous.) is the second by the American duo. It was released on April 25, 1995,.

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The album features by, and, who also contributed to the production and mixing of the album. Embedded with hyper-visual lyricism, dark soundscapes, gritty narratives, and hard beats, it marked Mobb Deep's transition from a relatively unknown rap duo to an influential and commercially successful one.

Most of the left-over songs from the album became bonus tracks for Mobb Deep's album (2014). Upon its release, The Infamous achieved notable commercial success, debuting at number 15 on the US and number 3 on the charts. On June 26, 1995, the album was certified by the (RIAA). The album produced four singles; ', ', ', ', which all achieved varying degrees of chart success, with 'Shook Ones Pt. II' being the most successful. The album's haunting style, defined by its evocative melodies, rugged beats, and lyrics dealing with crime and poverty in neighborhoods reflected the dark side of 's urban landscape in a manner that received special recognition and critical praise. Along with albums such as, and, The Infamous is widely credited as a major contributor to the.

Furthermore, the album is credited with helping to redefine the sound of, using its production style, which incorporated eerie piano loops, distorted synthesizers, and sparse bass lines. Contents. Background During the spring of 1993, while the group was still in their late-teens, Mobb Deep released their first album under the label. The album included production from several revered New York based producers, including, and affiliate Kerwin Young, and included the underground single 'Hit It from the Back'.

Due to Juvenile Hell's failure to achieve significant commercial and critical success, the duo was dropped from their label several months after the album's release. And later described Juvenile Hell as a 'learning experience'. During the summer of 1993, was looking for another group to sign, owing to the success of 's first single, ', and by fall 1993, the label had signed Mobb Deep. Recording for the album began in early 1994, and ended almost one year later in early 1995. Unlike the duo's first album, The Infamous was almost entirely self-produced by Havoc and Prodigy, with outside help from Matt Life, Schott Free and (credited as the Abstract). Producer Matt Life later recalled Q-Tip's involvements, stating, 'Tip was very involved in The Infamous from early on. Probably more than people know.

Prodigy

Tip was just a fan of theirs and I knew him from way back, so he was really helpful, giving them advice. Then he came in later in the sessions and said he'd help mix a couple records.

And then he ended up picking a couple of records they did to re-do. Except for 'Drink Away the Pain', the songs that Tip produced were already a full song before he got to them. He liked the lyrics on those original songs, but he re-did the beats. It was the same song title, same hook, same rhymes, just new beats.' Havoc later commented 'Q-Tip definitely bent his style a little bit to get with what we was doing. Like with 'Drink Away the Pain' you see him trying to get gangsta with it.' On the group's decision to handle most of the production, Havoc later commented, 'We started producing because other producers was giving us shit that we didn't like, or they was just charging too much.

I didn't know nothing about producing music at the time, but I learned by watching others.' The style of production on The Infamous was part of a change in hip-hop from upbeat and jazz-influenced, into raw, gritty beats. This style of production, often characterized by dissonant, minor key samples and heavily filtered bass lines became a hallmark of mid-1990s New York rap. Reception Commercial performance. This section needs expansion. You can help. (May 2010) The album spent 18 weeks on the US for peaking at number 15, and it also spent 34 weeks on the charts for peaking at number 3.

The Infamous was certified, with shipments of 500,000 copies in the United States by the (RIAA) on June 26, 1995. Initial reaction Professional ratings Review scores Source Rating B+ 8/10 10/10 4.5/5 9/10 Upon its release, The Infamous received critical acclaim. 's Tiarra Mukherjee gave it a B+ rating, stating 'Over mostly self-produced, bare-bones beats, the pair's hard-edged rhymes paint a chilling picture of life on their mean streets, New York City's Queensbridge Housing Projects. Underground rap-heads, and those who can break away from Jeep beats will rejoice.'

Magazine's Dimitry Leger stating 'Mobb Deep earn credibility, winning the crucial battle between style and substance, who's real and who's a move-faker. Havoc and Prodigy simply report what they know.' Elliott Wilson from wrote a favorable review of the album as well, and stated 'Each song is a different chapter in the hard street life Havoc and Prodigy have experienced in their Queensbridge neighborhood.

While describing their lives with brutal realism and raw imagery, Havoc's love for his hometown hits you in the head like a Mike Tyson comeback punch.' Gave the album an eight out of 10 rating, and described it as 'Shuttering nitro beats and scratchy jazz samples (that) cut back to reverberating piano chords and odd squealing horn breaks. As rappers they bring the clipped, rolling style of or, adding a chill menace to neighborhood boasts like 'Right Back at You' and 'Eye for a Eye'.' Magazine called it 'a darkly nihilistic masterpiece'. Retrospect Since its initial release, The Infamous has earned additional critical praise and has been widely regarded as a cornerstone album of New York.

's Steve Huey gave it a five star rating, and commented ' The Infamous is Mobb Deep's masterpiece, a relentlessly bleak song cycle that's been hailed by hardcore rap fans as one of the most realistic gangsta albums ever recorded. it has all the foreboding atmosphere and thematic sweep of an epic crime drama. That's partly because of the cinematic vision behind the duo's detailed narratives, but it's also a tribute to how well the raw, grimy production evokes the world that Mobb Deep is depicting.' Huey further stated: This is hard, underground hip-hop that demands to be met on its own terms, with few melodic hooks to draw the listener in. Similarly, there's little pleasure or relief offered in the picture of the streets Mobb Deep paints here: They inhabit a war zone where crime and paranoia hang constantly in the air. Gangs are bound together by a code of fierce loyalty, relying wholly on one another for survival in a hopeless environment.

Hostile forces – cops, rivals, neighborhood snitches are potentially everywhere, and one slip around the wrong person can mean prison or death. — Steve Huey In 2004, The Source re-rated the album to the perfect five 'mics' and stated 'Prodigy's thugged-out entertainment and Havoc's sonic production on cuts like the bone-chilling 'Shook Ones Pt. Proved to be timeless street joints in the same vein as 'Life's a Bitch' and 'You Gots to Chill.' The album was a staple for all hardheaded delinquents comin' up in the game.' Rolling Stone also re-rated the album in 2004 to a maximum five, while calling The Infamous 'one of the greatest rap albums of the 1990s'. Similar to The Source, magazine gave it a classic rating of 'XXL' in its retrospective 2007 issue.

Track listing No. Title Writer(s) Producer(s) Length 1.

'The Start of Your Ending (41st Side)', 4:24 2. 'The Infamous Prelude' 2:12 3. ' Johnson, Muchita Mobb Deep 3:43 4. 'Eye for a Eye (Your Beef Is Mines)' (featuring and ) Johnson, Muchita, Mobb Deep 4:48 5. 'Just Step Prelude' Johnson, 1:06 6. ' (featuring ) Johnson, Muchita, Perry, Mayfield Small, Jr.

' (featuring ) Johnson, Muchita, Davis, The Abstract, Mobb Deep (co.) 5:00 8. 'Up North Trip' Johnson, Muchita Mobb Deep 4:58 9. 'Trife Life' Johnson, Muchita, Mobb Deep 5:19 10. – Hectic' Johnson, Muchita Mobb Deep 4:46 11. 'Right Back at You' (featuring, Raekwon and Big Noyd) Johnson, Muchita, Woods, Perry Mobb Deep, Schott Free (co.) 4:52 12. 'The Grave Prelude' 0:50 13. 'Cradle to the Grave' Johnson, Muchita Mobb Deep 4:57 14.

'Drink Away the Pain (Situations)' (featuring ) Johnson, Muchita, Davis, The Abstract, Mobb Deep (co.) 4:44 15. ' Johnson, Muchita Mobb Deep 5:24 16. 'Party Over' (featuring Big Noyd) Johnson, Muchita, Perry Mobb Deep, Matt Life (co.) 5:40 Sample credits. 'The Start of Your Ending' contains a from 'Maybe Tomorrow' performed. 'Survival of the Fittest' contains a sample from 'Skylark' performed by The Barry Harris Trio and. 'Eye for a Eye' contains a sample from 'I Wish You Were Here' performed.

'Give Up the Goods' contains a sample from 'That's All Right With Me' performed. 'Temperature's Rising' contains samples from 'UFO' performed by, 'Where There Is Love' performed by, and an of 'Body Heat' performed. 'Up North Trip' contains samples from 'To Be With You'performed by, and 'I'm Tired Of Giving' performed. 'Trife Life' and 'Q.U. – Hectic' contain samples from 'You Are My Starship' performed. 'Right Back at You' contains a sample from 'Benjamin' performed. 'Cradle to the Grave' contains a sample from 'And If I Had' performed.

'Drink Away the Pain' contains a sample from 'I Remember I Made You Cry' performed. 'Shook Ones Pt. II' contains samples from 'Dirty Feet' performed by Daly Wilson Big Band, 'Jessica' performed by, and 'Kitty With The Bent Frame' performed by Quincy Jones. 'Party Over' contains samples from 'Lonely Fire' performed by, and 'Outside Love' performed by Brethren. Personnel.

Havoc – performer, producer. Prodigy – performer, producer. Q-Tip – performer, producer, mixing.

Big Noyd – performer. Raekwon – performer. Nas – performer. Ghostface Killah – performer. Crystal Johnson – vocals. Matt Life – producer.

Schott Free – producer. Fal Prod – producer.

Louis Alfred III – engineer. Tim Latham – engineer.

Tony Smallos – engineer, mixing. Dino Zerros – engineer.

Leon Zervos – mastering. Merge One – art direction. Chi Modu – photography. Tami Cobbs – management. Sandra Bynum – management Charts. Weekly charts Chart (1995) Peak position 111 US 18 US 3 Year-end charts Chart (1995) Position US Billboard 200 180 US Top R&B/Hip-Hop Albums 34 Singles Year Song Chart positions Hot Rap Singles 1995 ' 59 52 7 7 ' 69 60 10 6 ' — — 33 9 1996 ' — — — — Accolades.

Information regarding accolades is extracted from acclaimedmusic.net, except for lists with additional sources. An asterisk (.) indicates unordered lists. Publication Country Accolade Year Rank 100 Greatest Hip Hop Albums 2008 74 Best Rap Albums of 1995 2008 4 500 CDs You Must Own Before You Die 2003. The 100 Best Rap Albums of All Time 1998. 51 Albums representing a Generation, a Sound and a Movement 2004. The 100 Greatest Rap Albums 1995–2005 2005 4 Albums of the Year 1995 28 Pop Albums of the Year 1995 11 Albums of the Year 1995 43 Albums of the Year 1995 13 Notes.

^ Huey, Steve. Retrieved September 21, 2009. Archived from on December 21, 2006. Retrieved December 31, 2006. ^ Coleman, Brian, 2007. P:267.

Coleman, Brian, 2007. Coleman, Brian 2007. Coleman, Brian, 2007.

P:266. (2011).

(5th concise ed.). ^ Mukherjee, Tiarra (May 5, 1995). Retrieved March 19, 2010. Siegmund, Heidi (May 14, 1995). Retrieved October 11, 2016. ^ 'Mobb Deep: The Infamous'.: 48. July 1, 1995.

Greene, Jayson (April 9, 2014). Retrieved October 11, 2016. ^ Coker, Cheo H. (November 16, 1995).

Archived from on March 11, 2007. Retrieved October 11, 2016. ^ Ryan, Chris (2004). In Brackett, Nathan; Hoard, Christian. ^ Leger, Dimitry (June 1995). Retrieved September 21, 2009. Norris, Chris (August 1995).

Retrieved October 11, 2016. Wilson, Elliott. Retrieved on 2010-03-19. Columnist. Retrieved on 2010-03-19. (December 2007). 'Retrospective: XXL Albums'.

XXL Magazine. Davis, Luke (November 15, 2013). Retrieved September 2, 2016. Zywietz, Tobias. Tobias Zywietz. Retrieved May 18, 2017.

Prodigy

Retrieved May 14, 2016. Retrieved May 14, 2016. Retrieved December 31, 2006.

Adaso, Henry. Retrieved 2010-05-10. Adaso, Henry.

Retrieved 2010-05-10. See also. References.

Brian Coleman (2007). Random House. Nathan Brackett, Christian Hoard (2004).

The New Rolling Stone Album Guide: Completely Revised and Updated 4th Edition. Simon and Schuster. External links. at. at RapReviews.com. at acclaimedmusic.net. at complex.com.

Rapper Prodigy died at the age of 42, but his legacy of mixing street-level grit with emotional heft lives on 'It is with extreme sadness and disbelief that we confirm the death of our dear friend Albert Johnson, better known to millions of fans as Prodigy of legendary NY rap duo Mobb Deep,' the statement read. 'Prodigy was hospitalized a few days ago in Vegas after a Mobb Deep performance for complications caused by a sickle cell anemia crisis. As most of his fans know, Prodigy battled the disease since birth.

The exact causes of death have yet to be determined. We would like to thank everyone for respecting the family’s privacy at this time.' On Instagram, Prodigy's longtime Mobb Deep partner, Havoc, posted two in remembrance, one of which carried the simple message: 'Forever.' Other members of the hip-hop community have also posted tributes to Prodigy online, including Nas, Lil Wayne, Ghostface Killah, and. A post shared by Nasir Jones (@nas) on Jun 20, 2017 at 10:33am PDT Prodigy's old label boss, Steve Rifkind, who co-founded Loud Records, also remembered the rapper with a pair of. 'When I say Loud was a family, Loud was a family,' he said.

'We might have yelled and screamed at each other, but we always wanted what was best for the act Mobb Deep was the second group to go platinum right after Wu. We not only talked music we talked about everything but all I can say right now is RIP.' Prodigy and his Mobb Deep cohort, Havoc, grew up together in Queens, New York City and broke into hip-hop with a raw, vivid and vicious distillation of East Coast gangsta rap. The pair released their first demo together in 1992 under the name Poetical Prophets, which they followed up a year later with their Mobb Deep debut,. While that record wasn't well received, their 1995 follow-up The Infamous, remains a hardcore NYC classic and features one of the group's Rest In Paradise young Blood can't believe you gone lord we was just chilling!! Hold ya head — Ghostface Killah (@GhostfaceKillah) Prodigy and Havoc would release eight records together as Mobb Deep, with their last, arriving in 2014. In 2000, Prodigy launched his solo career with H.N.I.C.

And would go on to release an array of solo records and mixtapes, as well as collaborations with producers such as the Alchemist and Big Twins and Un Pacino. In January, Prodigy released his last solo record, Hegelian Dialectic (The Book of Revelation). Albert Johnson was born in 1974 to a family filled with musicians. His mother, Fatima Johnson – then known as Francis Collins – was once a member of the Sixties girl group the Crystals, while his grandfather, Budd Johnson was an acclaimed bebop saxophonist. Throughout his childhood, however, Johnson struggled with sickle cell and a father who was both a heroin addict and a petty thief.

Prodigy Of Mobb Deep The Most Infamous Torrent Online

In his 2011 the time his father left him in the car while he robbed a jewelry store. Growing up in New York City during hip-hop's Golden Age, Johnson eventually found his way to the mic in high school. Under the moniker Lord-T (the Golden Child), Johnson managed to score a demo deal at Jive records and earned himself a which appeared on the soundtrack. Not long after, Johnson united with Kejuan 'Havoc' Muchita, but when Jive wouldn't re-sign them as a duo, the pair struck out on their own. By the time Mobb Deep released The Infamous, they'd signed to RCA and Rifkind and Rich Isaacson's formative hip-hop label, Loud, whose roster also included NYC stalwarts the Wu-Tang Clan, Big Pun and Dead Prez. Following the success of The Infamous, Mobb Deep continued to hone their hardcore hip-hop sound on a string of highly successful records, 1996's Hell On Earth, 1999's Murda Muzik, and 2001's Infamy. Mobb Deep's hot streak continued into the 2000s.

The group eventually split from Loud and created their own label, Infamous, partnering with Jive for 2004's Amerikaz Nightmare and. However, the group's tear was cut short in October 2006 when Prodigy was arrested and charged with criminal possession of a weapon. Facing a mandatory sentence of 15 years, the rapper pleaded guilty and received three-and-a-half years in prison. He was released after three in March 2011 and remained on parole until 2014. Prodigy Mobb Deep Photofest Upon his release, Prodigy published his autobiography and reunited with Havoc for a new Mobb Deep song, featuring Nas. But within a year, a rift between the longtime partners appeared when Havoc posted a series derogatory and homophobic messages about Prodigy on Twitter. While, he ultimately admitted to sending the tweets during an, where he also said Mobb Deep was going on 'an indefinite hiatus.'

While Havoc continued to call out Prodigy, even releasing the diss track Prodigy maintained that Mobb Deep would eventually reconcile their differences. And in 2013 they did, embarking on a tour to celebrate their 20th anniversary together.

A year later, they released The Infamous Mobb Deep, which featured one disc of new material and another filled with unreleased tracks from their original Infamous sessions. 'Me and Hav got a different type of relationship man,' in 2013. 'We been through a lot of stuff growing up, just personal stuff.

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When you dealing with somebody for that long every day, you're gonna have your little squabbles or whatever, it's nothing.' He added: 'The bottom line is we're smarter than all the BS. Way smarter than that. Trust me, we're still here for a reason, we ain't stupid.'

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